\u00d8get bevidsthed om eskalerende \u00f8kologisk sammenbrud baner veje for nye tidsligheder og multidisciplin\u00e6re samarbejder inden for kunstnerisk og organisatorisk praksis.<\/em><\/p>\n

For at sikre kursen mod en levelig fremtid m\u00e5 vi anerkende vores indbyrdes afh\u00e6ngighed og nyt\u00e6nke m\u00e5den vi relaterer til det milj\u00f8 vi er en del af. N\u00e5r verden ikke l\u00e6ngere kan forst\u00e5s gennem forenklede kategorier og mods\u00e6tninger, understreges behovet for multidisciplin\u00e6re tilgange og nye former for samskabelse, hvor kunstneriske og eksperimenterende processer m\u00f8der videnskabens metoder og lokal\/kulturel tilegnelse af viden.<\/p>\n

Gevinsten ved kontroltab<\/em><\/p>\n

En \u00f8get sensitivitet over for kunstens indbyrdes forbundne og \u00f8kologiske dimensioner \u00e6ndrer m\u00e5den hvorp\u00e5 kunst bliver lavet, analyseret og oplevet. N\u00e5r materielle aspekter bydes velkommen som aktive agenter i den kunstneriske proces, \u00e6ndrer vores ide om kunstneren som en autonom skaber til en midlertidig p\u00e5virker, der ikke l\u00e6ngere kontrollerer slutresultatet af den kreative proces.<\/p>\n

N\u00e5r vi s\u00e6nker hastigheden og \u00e5bner for andre perspektiver end de menneskelige vil tidsligheden af udstillings- og kunstpraksisser \u00e6ndre sig fundamentalt, og kunstinstitutionernes internaliserede logikker, der bygger p\u00e5 korttidsplanl\u00e6gning, stor udskiftning, omkostnings-effektivitet og h\u00f8j-tempo produktionskrav, vil blive taget op til revision.<\/p>","protected":false},"featured_media":76,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_themes":[124],"class_list":["post-620","insights","type-insights","status-publish","has-post-thumbnail","hentry","_themes-artistic-identity"],"acf":{"signals":[{"ID":654,"post_author":"2","post_date":"2021-08-31 20:09:08","post_date_gmt":"2021-08-31 20:09:08","post_content":"The exhibition Soil.Sickness.Society at R\u00f8nneb\u00e6ksholm - a former manor, now permanent exhibition site - in Denmark includes a \"Medicine garden of radical care\" curated by the Laboratory of Aesthetics and Ecology (LabAE). The garden resides in one corner of the manor: here medicine plants grow, healing rituals are performed and generations are passing on old knowledge on medicine, gardening and soil\/self-care. The remaining 3\/4s of the garden are ordered in color groups. Obviously, the intention has been - following theories on new ecologies in the Anthropocene - to include and give space to more-than-human actors in the exhibition: plants, soil, worms, water. However, a few problems have aroused in the garden at the mansion: firstly, plants wander and the thistles spread to the flowery and colorful, well-ordered part of the garden, where they are not welcomed. LabAE has been asked to remove the nomadic species. Secondly, the exhibition lasts 4 months: where do the plants go, when the show is over?","post_title":"Plants challenge the temporality of exhibition-making","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"plants-challenge-the-temporality-of-exhibition-making","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:33","post_modified_gmt":"2021-12-20 13:54:33","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/plants-challenge-the-temporality-of-exhibition-making\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":666,"post_author":"2","post_date":"2021-08-21 16:19:27","post_date_gmt":"2021-08-21 16:19:27","post_content":"The travelling exhibition and catalogue give artists a voice to address the long-term effects of man-made disasters on Indigenous communities in the United States and around the world. Indigenous artists from Australia, Canada, Greenland, Japan, Pacific Islands, and the United States utilize local and tribal knowledge, as well as Indigenous and contemporary art forms as visual strategies for their thought-provoking artworks.\r\n\r\nOne of the co-curators of the exhibition is Nivi Christensen, director of Nuuk Art Museum, who has also written an article to the exhibition catalogue. She tells that in her article she argues that, unlike many European and Nordic artists, sustainability is not by Greenlandic artists considered or seen as an abstract concept or object.\r\n\r\n\"This is maybe why the whole sustainability debate is so different here than in other places. It is much more locally and subjectively anchored. I believe that in other Nordic countries people think that nature is something which we humans can control but in Greenland it is the opposite\".\r\n\r\nPhoto: Unsplash","post_title":"Exposure: Native Art and Political Ecology","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"exposure-native-art-and-political-ecology","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:33","post_modified_gmt":"2021-12-20 13:54:33","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/exposure-native-art-and-political-ecology\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":668,"post_author":"2","post_date":"2021-08-15 17:17:01","post_date_gmt":"2021-08-15 17:17:01","post_content":"Essi Vesala explores in her thesis \"Practicing Coexistence: Entanglements Between Ecology and Curating Art\" (Stockholm University 2019) possibilities and experimental ways of how the current climate discourse, ideas of degrowth and post-fossility could be integrated into the practice of curating art. Drawing from new materialism, decolonial and feminist thought and through interviews with Finnish and Danish curators and art organisations, the thesis outlines a new curatorial paradigm that calls for increased sensitivity to material dimensions of practices, slowing down and rethinking exhibition formats. \r\n\r\n\"Ecology has been understood to be mostly about 'nature' and motivations on preserving it. The thesis frames ecology and ecological thinking as something, that is inherently anti neo-liberal and as \"radical coexistence and entangled in the materialities of the more than human world.\"\r\n\r\nPhoto: Unsplash","post_title":"Understanding and implementing ecological thinking in curatorial practice","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"understanding-and-implementing-ecological-thinking-in-curatorial-practice","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:33","post_modified_gmt":"2021-12-20 13:54:33","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/understanding-and-implementing-ecological-thinking-in-curatorial-practice\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":713,"post_author":"2","post_date":"2021-07-13 21:24:55","post_date_gmt":"2021-07-13 21:24:55","post_content":"In 2017 the artist duo Goldin + Senneby won the competition of 'decoration' for the new Korsw\u00e4gen Station in G\u00f6teborg: In accordance with the concept of \"Eternal Employment\", a person is employed at Korsv\u00e4gen station. Whatever the employee chooses to do constitutes the work. The only thing required is to check in and out of the station with a ticket every day. The employment contract is full time and of indefinite duration; The work is to be realized in 2026 when the new station opens.\r\n\r\nThe work questions the value of lived life in art. Can one be payed for the very activity of checking in and out of life 8 hours a day? \r\nOn the same time, \"Eternal Employment\" asks a fundamental question to public funding in the arts:should it be basic income with full trust in the artists, or should public art funding be dosed and commissioned with specific goals and ideas about what is 'good' for the public?\r\n\r\nImage source: Unsplash","post_title":"Eternal Employment","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"eternal-employment","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:49","post_modified_gmt":"2021-12-20 13:54:49","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/eternal-employment\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":718,"post_author":"2","post_date":"2021-07-05 13:12:50","post_date_gmt":"2021-07-05 13:12:50","post_content":"This particular chapter, in both title and content, refutes notions of purity and the 'natural' in terms of how we relate to both culture and the environment we are part of. While contamination (broadly understood) is built into existence Tsing points to noticing the kinds of contamination taking place and the consequences involved and the particular relations that comes from it and those that die from it. ","post_title":"Contamination as Collaboration","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"contamination-as-collaboration","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:49","post_modified_gmt":"2021-12-20 13:54:49","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/contamination-as-collaboration\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":720,"post_author":"2","post_date":"2021-07-01 11:35:22","post_date_gmt":"2021-07-01 11:35:22","post_content":"Garage School is a project by the artist collective La Agencia, focusing on the practice of fermentation. The school is both an exploration of the cultural and historical significance of fermentation in various parts of the world and a practical laboratory for fermenting and creating recipes for distribution. \r\n\r\nImage Source: Unsplash","post_title":"Garage School - Fermentation","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"garage-school-fermentation","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:50","post_modified_gmt":"2021-12-20 13:54:50","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/garage-school-fermentation\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":732,"post_author":"2","post_date":"2021-06-28 14:05:22","post_date_gmt":"2021-06-28 14:05:22","post_content":"From their dynamic audio-visual and haptic systems to their collaboration with cutting-edge artists, ARTECHOUSE is an incubator, platform and gallery. To step inside one of their locations is to lose oneself to artwork; to live within the multi-sensory manifestation of a visionary artist. It began (with the DC outpost) as the first permanent digital arts space in the US and co-founder and chief creative officer Sandro Kereselidze and co-founder and managing director Tatiana Pastukhova continue to explore what the future of art will look like.\r\n\r\n\"Since before the first ARTECHOUSE location opened, we wanted to inspire people to see the endless possibilities of technology in art, and to use it in new creative ways. To achieve that, we felt it was important to also educate the general public about the work of modern, innovative artists, and about this new medium as a whole.\" says co-founder of ARTECHOUSE Sandro Kereselidze.\r\n\r\nImage source: Photo by Efe Kurnaz on Unsplash","post_title":"Technology-based art hub","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"technology-based-art-hub","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:50","post_modified_gmt":"2021-12-20 13:54:50","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/technology-based-art-hub\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":733,"post_author":"2","post_date":"2021-06-28 14:05:03","post_date_gmt":"2021-06-28 14:05:03","post_content":"Studio ThinkingHand can be called aesthetic scientists who work in the cross-section between art and science and have an extensive background and interest in biology, nutrition, modern robotics, theology, performance, particle physics, philosophy, and other vastly different disciplines intertwined in sensuous works of art.\r\n\r\nIn sculptures and installations, moss, fungi, bacteria, flowers, kombucha and other organic materials meet with more industrially processed and synthetic materials such as epoxy, metal, silicone and concrete. Materials that in their basic constituents all come from nature. The compilation of the works questions whether it makes sense to distinguish between what is artificial and natural. The Studio ThinkingHand studies and experiments, where their philosophical discussions and theoretical starting points within, e.g. posthumanism and hydrofeminism, are translated into form and materiality that can be sensed and felt.\r\n\r\nImage by Benjamin L. Jones for Unsplash","post_title":"Entangled Encounters","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"entangled-encounters","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:50","post_modified_gmt":"2021-12-20 13:54:50","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/entangled-encounters\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":741,"post_author":"2","post_date":"2021-06-28 14:03:51","post_date_gmt":"2021-06-28 14:03:51","post_content":"With DNA as a common thread, art and science meet in Esbjerg Art Museum's exhibition DNArt. The exhibition is part of an international trend in recent decades, where an increasing number of artists are interested in science and its technologies and create works in the laboratory. It is an aesthetic and thought-provoking exhibition.\r\n\r\nDNArt was created in collaboration between Esbjerg Art Museum, Eske Willerslev and associate professor Martin Sikora, both from GLOBE Institute, GeoGenetics Center, KU.\r\n\r\nPresented art objects merge the cell and tissue culture technologies with an artistic craft. Some of the artists have also experimented with molecular and biological technologies while creating their art pieces. \r\n\r\nImage source: Photo by Saya Kimura from Pexels","post_title":"Meeting between art and science","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"meeting-between-art-and-science","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:50","post_modified_gmt":"2021-12-20 13:54:50","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/meeting-between-art-and-science\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":748,"post_author":"2","post_date":"2021-06-28 14:02:22","post_date_gmt":"2021-06-28 14:02:22","post_content":"On Wednesday, the Getty Foundation in Los Angeles announced that it would stage the third iteration of PST, titled \u201cArt x Science x LA,\u201d in five years\u2019 time. Taking place across numerous arts, cultural, and science institutions throughout Southern California, PST: AxSxLA will look at the intersections between art and science in a variety of potential areas of interest, with climate change, augmented reality, alchemy, botany, and artificial intelligence among them.\r\n\r\n\u201cWhat we today recognize as art and science sprang from the same origins\u2014a shared desire to explore and explain the universe in all its dazzling diversity,\u201d Getty Trust president Jim Cuno said in a statement.\r\n\r\nImage by Maria Bobrova for Unsplash","post_title":"Art meets Science","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"art-meets-science","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:58","post_modified_gmt":"2021-12-20 13:54:58","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/art-meets-science\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":780,"post_author":"2","post_date":"2021-06-25 16:35:53","post_date_gmt":"2021-06-25 16:35:53","post_content":"The boarding school is part of Sisters Hope, an art-based research project (KU, Bikubenfondens Visionspris) exploring the term \u2018Sensuous learning\u2019. Sisters Academy is not based on economic principles like efficiency, duty, and discipline but on aesthetic principles like fantasy and desire - an education for the future, as they frame it. The school attempts to represent an alternative paradigm distinct from the economic rationality that shapes our society today. Participants can enrol in the school to strip off their normal social markers (name, sex, gender, occupation). They give birth to their poetic self through rituals, performances, and interactions, a new sensuous experience. Other than the Academy, they do The Takeover, where they take over the leadership of a series of actual upper secondary schools. They transform the school completely (light-, sound- and set design.) and The Sister staff move in.\r\n\r\nPHOTO CREDITS:\r\nSisters Academy - The Boarding School by Sisters Hope\r\nphoto: I diana lindhardt","post_title":"An artistic education for the future","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"an-artistic-education-for-the-future","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:59","post_modified_gmt":"2021-12-20 13:54:59","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/an-artistic-education-for-the-future\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":785,"post_author":"2","post_date":"2021-06-25 16:31:13","post_date_gmt":"2021-06-25 16:31:13","post_content":"Joar Nango\u2019s identity as S\u00e1mi is central to his practice. Nango is interested in concepts like temporality and nomadic culture, and his art is centred around the relationship between material culture, immaterial culture and identity. Yet, in terms of discipline or medium, he actively defies categorisation, choosing instead to mobilise the space in-between and across worlds.\r\n\r\nNango constructs spaces where marginalised human and non-human actors and Indigenous and contemporary architecture are made visible in his practice. Nango is motivated by a language that is unable to understand colonialism. The results have a way of escaping the present; instead, they create a feedback loop between past and future architectural narratives. \r\n\r\nNango often collaborates with people who are specialised in S\u00e1mi culture, but not exclusively, as he attempts to avoid to determine or isolate cultures. Rather, his practice is an attempt to open up and expand concepts, language and symbolic interpretations.\r\n\r\nImage Source: Photo by Steve Johnson from Pexels","post_title":"The artist as curator between cultures, objects & meanings","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"the-artist-as-curator-between-cultures-objects-meanings","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:59","post_modified_gmt":"2021-12-20 13:54:59","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/the-artist-as-curator-between-cultures-objects-meanings\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":830,"post_author":"2","post_date":"2021-06-14 08:28:15","post_date_gmt":"2021-06-14 08:28:15","post_content":"From website: \r\nThe Department of Ultimology considers that which is dead or dying across all fields as an entry point for transformative encounter. Working through artistic methodologies, Ultimology presents complex issues in playful and exploratory ways, conducting interviews, workshops, projects and discourse around the question \u201cwhat is dead or dying?\u201d In this way Ultimology functions as a means of openly grappling with opaque subjects.\r\n\r\nIn the academic context, when applied across curricula and disciplines, Ultimology becomes the study of extinct or endangered subjects, theories, and tools of learning. More broadly Ultimology responds to a contemporary environment of anxiety around endings; a time of apocalyptic climate events and turbulent political change, threats of resurgent populism, depleted resources, rapid obsolescence and technological changes that are shifting society.\r\n\r\nImage Source: Unsplash","post_title":"Department of Ultimology","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"department-of-ultimology","to_ping":"","pinged":"","post_modified":"2021-12-20 13:55:35","post_modified_gmt":"2021-12-20 13:55:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/department-of-ultimology\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":832,"post_author":"2","post_date":"2021-06-14 08:13:14","post_date_gmt":"2021-06-14 08:13:14","post_content":"From website: \"Fermenting Data is a long-term curatorial project engaging in sensing and sense-making with data and fermentation. It is dedicated to reclaiming data as common practice rather than being assigned to statistics, machine learning, and other computational modelling methods. It is an invitation to discover and invent data processing through practice of fermentation. To ferment data is to speculate and create ways to live together as people and others who care.\"\r\n\r\nImage Source: Unsplash","post_title":"Fermenting Data","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"fermenting-data","to_ping":"","pinged":"","post_modified":"2021-12-20 13:55:35","post_modified_gmt":"2021-12-20 13:55:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/fermenting-data\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"}]},"full_image":["https:\/\/livingcatalogue.anordic.org\/wp-content\/uploads\/2021\/09\/new_temporalities_.png",2489,1167,false],"thumb":["https:\/\/livingcatalogue.anordic.org\/wp-content\/uploads\/2021\/09\/new_temporalities_-300x141.png",300,141,true],"thumb_large":["https:\/\/livingcatalogue.anordic.org\/wp-content\/uploads\/2021\/09\/new_temporalities_-1024x480.png",640,300,true],"yoast_head":"\n