Vi m\u00e5 udvide ideen om professionalisme og kvalitet i kunsten for at anerkende og forst\u00e5 kunstens og kunstneres stadigt mere forskelligartede roller og v\u00e6rdier i samfundet.<\/em><\/p>\n

Kvalitet er et allestedsn\u00e6rv\u00e6rende koncept, b\u00e5de som ideal indenfor kunstuddannelserne, vurderingskriterie for st\u00f8tte og som vigtigt politisk m\u00e5l. Alligevel er selve ordets definition ofte enten for sn\u00e6ver eller vag i en kunstbranche med stigende mangfoldighed.<\/p>\n

Meget tyder p\u00e5 at kvalitet og professionalisme i kunsten i stigende grad er \u00e5ben og uforudsigelig, og ofte fordrer samarbejde p\u00e5 tv\u00e6rs af discipliner. Det st\u00e5r i skarp kontrast til uddannelsesinstitutioners pensum, fondsans\u00f8gninger og politiske m\u00e5ls\u00e6tninger, der fortsat placerer kunstnere indenfor sn\u00e6vre disciplin-baserede kategorier.<\/p>\n

Kvalitet er ikke et statisk koncept<\/em><\/p>\n

Forskning indenfor feltet peger p\u00e5 vigtigheden af at afvise kvalitet som et statisk koncept og i stedet validere et projekt, v\u00e6rk eller kunstnerisk praksis ud fra dets relevans i forhold til de skift vi ser i kultur og samfund. En udfordring af kvalitetsbegrebet i kunstuddannelser, organisationer og kulturpolitiske vurderinger bliver essentielt for at kunne facilitere nye kunstneriske identiteter og sikre kunstens relevans i fremtidige sammenh\u00e6nge, der ber\u00f8rer menneskerettigheder, social b\u00e6redygtighed, tilg\u00e6ngelighed og gode livsvilk\u00e5r.<\/p>","protected":false},"featured_media":78,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_themes":[124],"class_list":["post-621","insights","type-insights","status-publish","has-post-thumbnail","hentry","_themes-artistic-identity"],"acf":{"signals":[{"ID":658,"post_author":"2","post_date":"2021-08-31 18:31:47","post_date_gmt":"2021-08-31 18:31:47","post_content":"Ventus is a Nordic classical music duo consisting of flutist Michaela Hansen and clarinetist Louise Anine Mogensen. Since the establishment in 2018 the duo has gained international recognition and won several prizes in Denmark, Germany, Japan and South Korea among others. In their practice the duo is combining different music genres and expression forms such as film, animation and dance. \r\n\r\nThe combination of flute and clarinet is still considered unconventional in the classical music tradition which is why the duo has had to develop their own methodology for training and rehearsing concert repertoire. According to Ventus the educational programmes in classical music conservatories don't offer many opportunities for young musicians to explore career possibilities across artistic fields or outside the traditional orchestra musician profile. By documenting and telling openly about their own experiences and career path they wish to serve as an example for other young classical musicians.\r\n\r\nPhoto: Unsplash","post_title":"Ventus - Scandinavian Woodwind","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"ventus-scandinavian-woodwind","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:33","post_modified_gmt":"2021-12-20 13:54:33","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/ventus-scandinavian-woodwind\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":675,"post_author":"2","post_date":"2021-08-09 16:38:06","post_date_gmt":"2021-08-09 16:38:06","post_content":"Guilty By Association is a new agency cofounded by Karen Wong, formerly Deputy Director at the New Museum. She will work to ensure that traditionally underrepresented and marginalized communities are vital contributors to the creative economy.","post_title":"Guilty By Association","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"guilty-by-association","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:41","post_modified_gmt":"2021-12-20 13:54:41","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/guilty-by-association\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":678,"post_author":"2","post_date":"2021-08-04 15:26:42","post_date_gmt":"2021-08-04 15:26:42","post_content":"Visual Artist and Photographer Nayab Ikram working from Turku, but raised in \u00c5land and of Pakistani dispora works with the themes of being in between nationalities and cultures, often with her own experiences as object.\r\n\r\nImage source: Unsplash","post_title":"In between","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"in-between","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:41","post_modified_gmt":"2021-12-20 13:54:41","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/in-between\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":680,"post_author":"2","post_date":"2021-08-04 13:21:37","post_date_gmt":"2021-08-04 13:21:37","post_content":"The Times Higher Education (30.6.2021) notes artistic research's lack of recognition: some academics, governments, and funding bodies don't see artistic research as a serious scholarship. Despite the Vienna Declaration on Artistic Research, the rapidly developing young field faces difficulties in receiving funding in line with research in humanities and sciences. The field wants to be recognized by the Frascati Manual, published by the OECD. The manual has set its mark on what is seen as research and development and influenced the types of funded research since early 1960s. According to Fernando Galindo-Rueda, a senior economist at the OECD, the current manual does not explicitly rule out artistic research. Yet, the manual excludes artistic performance from R & D for three presumed reasons. Creative performance \"fails the 'novelty test' because it is looking for a new expression rather than for new knowledge', and is not reproducible\" (Galindo-Rueda as quoted by Matthews, 2021).","post_title":"Is it research?","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"is-it-research","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:41","post_modified_gmt":"2021-12-20 13:54:41","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/is-it-research\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":694,"post_author":"2","post_date":"2021-07-27 14:22:01","post_date_gmt":"2021-07-27 14:22:01","post_content":"ArtsEqual Research Initiative's researchers take international human rights and the Constitution of Finland as their starting point. They argue that the opportunity to participate in the arts and culture, develop oneself and one's community through them throughout the life cycle, and express oneself freely are fundamental cultural rights. Such rights belong to everyone. The argument is defended not only by the constitutional requirement of equal treatment but also by welfare concerns: Personal encounters in art generate meaningful aesthetic experiences. More broadly, they also generate cultural inclusion. Consequently, far-reaching positive ripple effects impact people's health, wellbeing, and quality of life and increase the common good in society. The opportunity to participate in the arts is not automatically realized in society. Thus, ArtsEqual's researchers have sought to identify mechanisms of exclusion that hinder participation. They have also produced research-informed policy recommendations to help decision-makers implement such measures that help break the cycle of disadvantage.\r\n","post_title":"ArtsEqual","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"artsequal","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:41","post_modified_gmt":"2021-12-20 13:54:41","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/artsequal\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":696,"post_author":"2","post_date":"2021-07-27 14:04:58","post_date_gmt":"2021-07-27 14:04:58","post_content":"Launched in 2015, ArtsEqual Research Initiative is a six-year, multidisciplinary research project led by the University of the Arts Helsinki. It examines the arts as public service, with equality as the starting point, and explores how the arts can meet the social challenges of the 2020s. ArtsEqual has published 13 research-based policy briefs to inform decision-makers. The objective of these policy briefs is to dismantle mechanisms of inequality in the arts to make services in the arts and arts education more inclusive and accessible to everyone. One of these policy briefs focuses on the arts in hospitals. It encourages health service organizations to pay attention to the cultural contexts of health and integrate culture and art into their activities to promote health and wellbeing. It proposes several actions for organizations working in the health service sector in adopting a broad approach to improving people's health and wellbeing through culture and the arts. ","post_title":"Culture and the Arts in Hospitals","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"culture-and-the-arts-in-hospitals","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:41","post_modified_gmt":"2021-12-20 13:54:41","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/culture-and-the-arts-in-hospitals\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":700,"post_author":"2","post_date":"2021-07-26 12:40:03","post_date_gmt":"2021-07-26 12:40:03","post_content":"Expanding Professionalism in Music and Higher Music Education: A Changing Game is a book on the need to reconsider the idea of professionalism in music and how such reflections ought to inform professional music education. The book, edited by Heidi Westerlund and Helena Gaunt, identifies the need for professional higher education to nurture the full potential of professional musicians in response to a range of future societal needs. Examples of recent developments in professional practice in music presented in the book suggest that professionalism in music and the arts is becoming increasingly open-ended and unforeseeable. In addition, the new practices often call for collaboration and multidisciplinary. The book editors advocate the need to expand the understanding of professionalism in music that helps institutions of higher arts education grasp multiple rationalities that underpin present and future professional practices in music and in the arts more generally. ","post_title":"Expanding professionalism in music","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"expanding-professionalism-in-music","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:41","post_modified_gmt":"2021-12-20 13:54:41","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/expanding-professionalism-in-music\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":702,"post_author":"2","post_date":"2021-07-23 15:58:34","post_date_gmt":"2021-07-23 15:58:34","post_content":"Solo Show is an Instagram based interface connecting offsite exhibits, digital projects and other independent creative work. They curate themed exhibitions of new work from invited artists and develop archives of visual research around selected topics. Submissions are always open.\r\n\r\nImage Source: Unsplash","post_title":"soloshow.online","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"soloshow-online","to_ping":"","pinged":"","post_modified":"2021-12-20 18:15:07","post_modified_gmt":"2021-12-20 18:15:07","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/soloshow-online\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":786,"post_author":"2","post_date":"2021-06-25 16:31:40","post_date_gmt":"2021-06-25 16:31:40","post_content":"Central to many of Line Anda Dalmar works is an artistic collaboration and creative partnership across media. Two of Line Anda Dalmar's projects, Ukjent Prosedyre (2016) and Andre Premisser (2018), exemplify this practice. They are joint projects where different artists meet to explore different ways of collaborating. Thus, part of the artwork focuses on the creative process and not only the creative outcome. \r\n\r\nIn Ukjent Prosedyre (2016), the process involved each artist sending and receiving their packages with materials from the other artists' studios. This included work begun, for example, in the form of sketches and photographs. With the non-self-chosen content as a starting point, the artists each produced new works. Then the artists met for the exhibition assembly, and all the works were further developed and installed together. Thus, the \"unknown procedure\" consisted of a process that included material and conceptual parts from all the participating artists. \r\n\r\nImage Source: Photo by Matteo Vistocco on Unsplash\r\n\r\n","post_title":"Collaboration as artistic method","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"collaboration-as-artistic-method","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:59","post_modified_gmt":"2021-12-20 13:54:59","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/collaboration-as-artistic-method\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":816,"post_author":"2","post_date":"2021-06-25 16:15:45","post_date_gmt":"2021-06-25 16:15:45","post_content":"Born in Norway with Nigerian heritage, Orupabo is a self-made artist who addresses race, gender, colonialism and identity by retrieving black-and-white images in cut-up collages that form fragmented bodies. Orupabo was discovered by American creative Arthur Jafa, who had found her work on Instagram. Jafa encouraged her to display her Instagram feed in his solo exhibition at London\u2019s Serpentine Galleries by printing out her Instagram feed and create large-scale works from her social media archive. \r\n\r\nImage Source: Photo by Mika Baumeister on Unsplash","post_title":"Instagram paves the way for artists to get discovered across nations","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"instagram-paves-the-way-for-artists-to-get-discovered-across-nations","to_ping":"","pinged":"","post_modified":"2021-12-20 18:16:09","post_modified_gmt":"2021-12-20 18:16:09","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/instagram-paves-the-way-for-artists-to-get-discovered-across-nations\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":818,"post_author":"2","post_date":"2021-06-22 18:08:53","post_date_gmt":"2021-06-22 18:08:53","post_content":"Enactlab S\/I was founded in 2018 by Kristian Moltke Martiny and Jacob Nossell as a global lab for change \u2013based in Copenhagen, Denmark. I began working with them as I was creating an opera at the intersection of AI and disability and Enact created a \"knowledge frame\" around the work. They brought a deep scientific understanding and a lived in person experience in terms of disability and a real international community to the table. They were a team of researchers, media and communication specialists, community leaders, artists and global collaborators. \r\n","post_title":"Enactlab","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"enactlab","to_ping":"","pinged":"","post_modified":"2021-12-20 13:55:34","post_modified_gmt":"2021-12-20 13:55:34","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/enactlab\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":857,"post_author":"2","post_date":"2021-09-17 16:25:53","post_date_gmt":"2021-09-17 16:25:53","post_content":"\u201cIt\u2019s a very Nordic model that the institutional levels promote art and cultural life: that you plan the cultural life top-down. It\u2019s a tendency that, as an institution, you think you are very important. Minority artists must oblige by these funding models to get funding. It\u2019s about survival instinct and learning instinct. It becomes too instrumental and goal oriented like, \u201cwhat is this needed for?\u201d But there are several artists who rejects this model and look for other paths. Not doing like Nordisk Kulturfond, where you need to collaborate with three Nordic countries to fulfill the criteria.\u201d\r\n\r\n\u201cArt should be looked at on the same terms as funding, where you need time and tranquillity to better yourself. I believe in grants \u2013 three-year grants, five-year grants \u2013 release the artists and see what happens.\u201d \r\n\r\nImage by Kai Pilger for Unsplash","post_title":"Malika Makouf Rasmussen: Cultural-political homogeneity","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"malika-makouf-rasmussen-cultural-political-homogeneity","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:33","post_modified_gmt":"2021-12-20 13:54:33","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/malika-makouf-rasmussen-cultural-political-homogeneity\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"}]},"full_image":["https:\/\/livingcatalogue.anordic.org\/wp-content\/uploads\/2021\/09\/multiplying_quality_.png",2489,1167,false],"thumb":["https:\/\/livingcatalogue.anordic.org\/wp-content\/uploads\/2021\/09\/multiplying_quality_-300x141.png",300,141,true],"thumb_large":["https:\/\/livingcatalogue.anordic.org\/wp-content\/uploads\/2021\/09\/multiplying_quality_-1024x480.png",640,300,true],"yoast_head":"\n