Flere f\u00e6llesskaber opst\u00e5r i alternative milj\u00f8er som reaktion p\u00e5 branchens manglende mangfoldighed. I krydsfeltet mellem kunst og aktivisme arbejder flere grupper for bedre repr\u00e6sentation og inklusion i den kunstoffentlighed, de f\u00f8ler sig ekskluderet fra. De kollektive praksisser og l\u00f8se strukturer giver frihed og autonomi, men skaber ogs\u00e5 usikkerhed og prek\u00e6re forhold.<\/em><\/p>\n

Tilgangen i disse grupperinger ser ofte anderledes ud end hos store institutioner, som ogs\u00e5 er optaget af at gent\u00e6nke egne praksisser og rette op i strukturer for at bidrage til \u00f8get diversitet, ligestilling og inklusion inden for egen institutionel ramme.<\/p>\n

Frihedens pris<\/em><\/p>\n

De nye m\u00e5der at organisere sig p\u00e5 kan ogs\u00e5 ses som et resultat af kunstverdenens forandrede \u00f8konomiske betingelser, der kalder p\u00e5 nye m\u00e5der at finansiere sin kunstneriske praksis p\u00e5. F\u00e6llesskaberne er alts\u00e5 en blanding af b\u00e5de lyst og n\u00f8d og bliver ganske ofte midlertidige.<\/p>\n

De giver dog ogs\u00e5 mulighed for at frig\u00f8re sig fra eksisterende strukturer og afpr\u00f8ve alternative udtryksformer og praksisser. Ofte g\u00e5r disse f\u00e6llesskaber h\u00e5nd i h\u00e5nd med ambitioner om st\u00f8rre kunstnerisk diversitet og solidarisk organisering, men p\u00e5 grund af manglende fast st\u00f8tte drives de under prek\u00e6re betingelser, og f\u00e6llesskabet kan blive slidsomt i l\u00e6ngden.<\/p>\n

Signalerne peger p\u00e5 en fremtid, der er mere ligestillet og pr\u00e6get af forskellighed. Sp\u00f8rgsm\u00e5let er om, og i hvilket omfang, de forskellige agendaer fremover kan m\u00f8des i f\u00e6lles forst\u00e5else p\u00e5 tv\u00e6rs af praksisser og institutionelle rammer? Og hvorvidt alliancer mellem de nomadiske og sm\u00e5 platforme og st\u00f8rre institutioner kan f\u00f8re til fordele og kontinuitet for flere?<\/p>","protected":false},"featured_media":904,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_themes":[124],"class_list":["post-900","insights","type-insights","status-publish","has-post-thumbnail","hentry","_themes-artistic-identity"],"acf":{"signals":[{"ID":863,"post_author":"5","post_date":"2021-09-17 16:26:22","post_date_gmt":"2021-09-17 16:26:22","post_content":"\u201cThe important thing is to talk to minority people, who have a problem. You need to talk to them and not on behalf of them.\u201d\n\n\u201cWe don\u2019t want anymore special projects about recruitment, where, in a seminar-like manner, the question revolves around, \u201chow do we integrate immigrants in the culture\u201d \u2013 No, then you\u2019re stuck. It revolves around starting dialogue with immigrant artists. They have made art for decades. It\u2019s not something new. If you don\u2019t reach out, you must recruit in. Even if they don\u2019t talk Scandinavian. Then you need to have the dialogue in English.\u201d\n\nImage by Amy Leigh Barnard for Unsplash","post_title":"Malika Makouf Rasmussen: If you, as an institution of culture, don\u2019t reach out, you must recruit in","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"malika-makouf-rasmussen-if-you-as-an-institution-of-culture-dont-reach-out-you-must-recruit-in","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:32","post_modified_gmt":"2021-12-20 13:54:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/malika-makouf-rasmussen-if-you-as-an-institution-of-culture-dont-reach-out-you-must-recruit-in\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":865,"post_author":"5","post_date":"2021-09-17 16:25:36","post_date_gmt":"2021-09-17 16:25:36","post_content":"\u201dHuge streaming-platforms like Spotify and Youtube earn tremendous amounts of money, but leaves the artists bleeding. Also, with streaming platforms there is no longer an expectation, to you as a consumer, that you would pay for content. It really depends on what attitude you accustom consumers to. And even though there are initiatives in the European-parliament that tries to stipulate the tech-giants to pay compensations to the artists, there is still a long way to go.\u201d\n\n\u201cThere are examples of artists who use crowdfunding to release their music, but it mostly happens in other countries like the US, where there are no systems of subsidies.\"\n\nImage by Edwin Andrade for Unsplash","post_title":"Malika Makouf Rasmussen: Does crowdfunding fit in the North?","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"malika-makouf-rasmussen-does-crowdfunding-fit-in-the-north","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:33","post_modified_gmt":"2021-12-20 13:54:33","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/malika-makouf-rasmussen-does-crowdfunding-fit-in-the-north\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":662,"post_author":"2","post_date":"2021-08-31 11:12:15","post_date_gmt":"2021-08-31 11:12:15","post_content":"The new Chair at Khio enter a challenging situation where a majority of the students claim that the colleges syllabus is dominated by a white supremacy \/ \"the white gaze\". The majority of students has coined the ones with other views for nazis.\r\n\r\nImage source: Unsplash","post_title":"Art students woke","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"art-students-woke","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:33","post_modified_gmt":"2021-12-20 13:54:33","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/art-students-woke\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":664,"post_author":"2","post_date":"2021-08-24 14:31:07","post_date_gmt":"2021-08-24 14:31:07","post_content":"With the exhibition, SMK tells a hitherto untold story about the two world-famous artists and their interpretations of cultures outside Europe.\r\n\r\nWhat human view do the works of art express? Can we hold the artists accountable? Shall we? And does the story of Nolde and Kirchner have relevance in today's racism debate?\r\n\r\nDiscussion has followed in media and at a debate meeting.\r\n\r\nAt the one hand SMK is being acclaimed of a one-sided focus - cultural appropriation? \r\nOn the other hand, the exhibition could also be seen as seeking to understand how arts and research led to new ways of expression and understanding new aspects of westerne modernism. As an offer from the museum. As a guest - you decide yourself how you want to be enlightened. Germany was at this time the country of thinkers - therefore, the very thinking behind arts must be taken in as an extra dimension. ","post_title":"Kirchner & Nolde for discussion","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"kirchner-nolde-for-discussion","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:33","post_modified_gmt":"2021-12-20 13:54:33","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/kirchner-nolde-for-discussion\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":666,"post_author":"2","post_date":"2021-08-21 16:19:27","post_date_gmt":"2021-08-21 16:19:27","post_content":"The travelling exhibition and catalogue give artists a voice to address the long-term effects of man-made disasters on Indigenous communities in the United States and around the world. Indigenous artists from Australia, Canada, Greenland, Japan, Pacific Islands, and the United States utilize local and tribal knowledge, as well as Indigenous and contemporary art forms as visual strategies for their thought-provoking artworks.\r\n\r\nOne of the co-curators of the exhibition is Nivi Christensen, director of Nuuk Art Museum, who has also written an article to the exhibition catalogue. She tells that in her article she argues that, unlike many European and Nordic artists, sustainability is not by Greenlandic artists considered or seen as an abstract concept or object.\r\n\r\n\"This is maybe why the whole sustainability debate is so different here than in other places. It is much more locally and subjectively anchored. I believe that in other Nordic countries people think that nature is something which we humans can control but in Greenland it is the opposite\".\r\n\r\nPhoto: Unsplash","post_title":"Exposure: Native Art and Political Ecology","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"exposure-native-art-and-political-ecology","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:33","post_modified_gmt":"2021-12-20 13:54:33","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/exposure-native-art-and-political-ecology\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":675,"post_author":"2","post_date":"2021-08-09 16:38:06","post_date_gmt":"2021-08-09 16:38:06","post_content":"Guilty By Association is a new agency cofounded by Karen Wong, formerly Deputy Director at the New Museum. She will work to ensure that traditionally underrepresented and marginalized communities are vital contributors to the creative economy.","post_title":"Guilty By Association","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"guilty-by-association","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:41","post_modified_gmt":"2021-12-20 13:54:41","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/guilty-by-association\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":871,"post_author":"2","post_date":"2021-08-05 21:24:36","post_date_gmt":"2021-08-05 21:24:36","post_content":"The goal of the GCC is to facilitate a greener and more sustainable art world. Their aim is to provide information and the necessary tools so that we can collectively reduce our carbon footprint by 50% over the next ten years (in line with the Paris agreement), along with near zero-waste practices.\r\n\r\nPhoto: Unsplash (Alexander Abero)","post_title":"The Gallery Climate Coalition","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"the-gallery-climate-coalition","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:41","post_modified_gmt":"2021-12-20 13:54:41","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/themes\/all\/the-gallery-climate-coalition\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":688,"post_author":"2","post_date":"2021-08-01 19:29:18","post_date_gmt":"2021-08-01 19:29:18","post_content":"A meeting- and production place, a nucleus for ongoing, site-specific performance production and the research of new approaches of dialogue between art and society. It is also meant to be a place for international exchange formats in collaboration with theatres and art spaces that care and work with the specific questions about art, politics, citizenship and new visions for art institutions. \r\nT\u00e5rnby Park Studio is this: An open platform, inviting artists for residencies, making proposals for public intervention, public dialogue, inviting citizens into co-creation. It uses tools and methods from performing art, site-specific practices, film, tv, participatory aspects, relational art, sharing of space and time, and - invites the neighbours for surprising encounters.\r\n\r\nImage Source: Unsplash\r\n","post_title":"T\u00e5rnby Park Studio","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"tarnby-park-studio","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:41","post_modified_gmt":"2021-12-20 13:54:41","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/tarnby-park-studio\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":705,"post_author":"2","post_date":"2021-07-21 13:07:09","post_date_gmt":"2021-07-21 13:07:09","post_content":"A more personal signal, I have found, is in Warsaw, Poland. Currently I am on vacation in Warsaw, Poland. I have found that cobblestone is very troublesome for the accessibility, when visiting culture and art venues in the old town of Warsaw with a different body - but also in others countries and capitols, which are seen to be artistic and cultural metropols. \r\n\r\n","post_title":"Accessibility vs. Cobblestone vs. Culture","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"accessibility-vs-cobblestone-vs-culture","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:41","post_modified_gmt":"2021-12-20 13:54:41","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/accessibility-vs-cobblestone-vs-culture\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":708,"post_author":"2","post_date":"2021-07-19 15:31:34","post_date_gmt":"2021-07-19 15:31:34","post_content":"In these years, Europe revises its colonial history and new academic disciplines like European Black Studies arise. On the same time, the white leading positions of artistic institutions are replaced by Black curatorship. Two important examples are Bonaventure Soh Bejeng Ndikung at Haus der Kulturen der Welt in Berlin (from 2023) and Elvira Dyangani Ose at MACBA in Barcelona (from 2021). Both artistic directors have on their agenda to confront global asymmetries and not to shy away the social role of art in contemporary culture.\r\n\r\nBlack directors strategically signals change from the site of the art institutions and follows recoomendations of decolonisation such as recommended by for example Danish collective of decolonial feminists, Marronage: \"Pay attention to who owns the institutions. Examine their ownership and financial structure!\" and \"White people cannot decolonise!\" (in \"Actualize Utopia\" (2019), p. 134-135)\r\n\r\nPhoto of Bonaventure Soh Bejeng Ndikung from HKW's press material: https:\/\/hkw.de\/media\/pressebilder\/hkw_1\/Intendant1.jpg ","post_title":"Black directors","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"black-directors","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:41","post_modified_gmt":"2021-12-20 13:54:41","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/black-directors\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":710,"post_author":"2","post_date":"2021-07-19 15:02:16","post_date_gmt":"2021-07-19 15:02:16","post_content":"In Z\u00fcrich several of the central cultural institutions are now co-lead by two or three persons. Particularly in the theatre scene, co-curation has become a hot thing: a way to challenge the idea of the (male) genius, the risk of burn out and the dominant, family-unfriendly work ethos of +80hrs. In Theaterhaus Gessnerallee, for example, each of the three co-directors works 80%.\r\n\r\nExamples in Z\u00fcrich of female co-leadership are Ballett Z\u00fcrich, Theater Neumarkt and Theaterhaus Gessnerallee. Outside Switzerland co-curation can be observed at the coming Documenta in Kassel (by ruangrupa) and at the Kunstenfestival des Arts in Brussels.\r\n\r\nPhoto: Philip Frowein \/ Theater Neumarkt","post_title":"Female co-leaders","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"female-co-leaders","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:49","post_modified_gmt":"2021-12-20 13:54:49","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/female-co-leaders\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":873,"post_author":"2","post_date":"2021-07-01 11:36:57","post_date_gmt":"2021-07-01 11:36:57","post_content":"From bandcamp site: \r\n\r\nGP&PLS is a refugee organization disguised as a tech rock band \r\nAnd we are also a hot and hardcore feminist movement. And we are also a pro monarchist polygamist extratone orchestra. And we make anti-authoritarian communist tunes for you and your family. \r\n\r\nGP&PLS is supporting people on the move who are trying to enter Europe, but because of violent borders and euro racism have a hard time moving around and making livable lives. \r\n\r\nGP&PLS believe that if you have a powerful passport it is your duty to help and involve with the people who don\u2019t. If you have a powerful position in society, such as friends, education and money, it\u2019s your duty to share it. \r\n\r\nPhoto: Unsplash (Caleb George)","post_title":"GP&PLS","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"gppls","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:49","post_modified_gmt":"2021-12-20 13:54:49","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/themes\/all\/gppls\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":736,"post_author":"2","post_date":"2021-06-28 14:04:46","post_date_gmt":"2021-06-28 14:04:46","post_content":"The New York-based Queer|Art has been a quiet force for the past decade, facilitating mentorship and grant-making programs that support LGBTQ+ artists at key points in their career. Despite having a full-time staff of just five, the organization\u2019s ambitions are vast. \u201cOur initiative is to connect and empower generations of LGBTQ+ artists,\u201d said Travis Chamberlain, Queer|Art\u2019s director. In so doing, Queer|Art is fostering the creation of new art history by artists of all kinds\u2014photographers, filmmakers, dancers, painters\u2014whom the mainstream has long ignored.\r\n\r\nBut it is Queer|Art\u2019s mentorship program that has proven an especially significant incubator. The mentorship program is important as an \u201cexchange,\u201d said photographer Lola Flash, who acted as a mentor to artist Felicita \u201cFelli\u201d Maynard. Pairing a younger artist with an older one, Flash said, sparks an intergenerational dialogue\u2014and key elements of queer history are shared. \u201cWe all need a little bit more love,\u201d Flash said, \u201cand so it creates that.\u201d \r\n\r\nImage Source: Unsplash","post_title":"LGBTQ+ Nonprofit Queer|Art Supports","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"lgbtq-nonprofit-queerart-supports","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:50","post_modified_gmt":"2021-12-20 13:54:50","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/lgbtq-nonprofit-queerart-supports\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":764,"post_author":"2","post_date":"2021-06-28 14:04:26","post_date_gmt":"2021-06-28 14:04:26","post_content":"Artists and cultural workers with a temporary residence permit in Norway face a lack of access to crisis support, including financial, social assistance, unemployment benefits, and other support schemes, claims Verdensrommet (Eng. \u201cWorld Space\u201d), a support network for foreign artists and cultural workers in Norway. The organisation works with future solutions for a group it believes falls between the cracks within the country\u2019s bureaucratic structures for culture and immigration. \r\n\r\nArtist Rodrigo Ghattas-P\u00e9rez told Kunstkritikk: \u201cThe immigration system eats away at the other systems that are in place for artists to be able to establish themselves in Norway.\u201d Ghattas-P\u00e9rez is originally from Peru and Palestine but is based in Norway. Together with Canadian Oslo-based artist Gabrielle Par\u00e9 he is the founder of Verdensrommet.\r\n\r\nImage source:\r\nConcept by Verdensrommet\r\nDesign by Blank Blank","post_title":"Scandinavian support network for foreign artists","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"scandinavian-support-network-for-foreign-artists","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:50","post_modified_gmt":"2021-12-20 13:54:50","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/scandinavian-support-network-for-foreign-artists\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":806,"post_author":"2","post_date":"2021-06-25 16:22:43","post_date_gmt":"2021-06-25 16:22:43","post_content":"The exhibition's premise is that it is inconvenient and complicated to deal with Gauguin's life in Polynesia. It's an important discomfort that Glyptoteket deals with by developing a double perspective: By portraying Paul Gauguin's life and work, and by portraying Paul Gauguin through the perspective of pop-cultural references, e.g., Polynesian drag queens and transgender people from Tahiti. The double perspective navigates between Gauguin's artistic ambition and the colonial context. \r\n\r\nViewers become confronted with how biased and Eurocentric Paul Gauguin's iconic status is. By letting audiences see modernist \"masterpieces\" being seen by someone who has a completely different background is very instructive.\r\n\r\nImage Source: Paul Gauguin Hvorfor er du vred Ny Carlsberg Glyptotek Exhibition photo by David Stjernholm \r\n","post_title":"The institution's need to act self-reflective","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"the-institutions-need-to-act-self-reflective","to_ping":"","pinged":"","post_modified":"2021-12-20 13:55:34","post_modified_gmt":"2021-12-20 13:55:34","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/the-institutions-need-to-act-self-reflective\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":820,"post_author":"2","post_date":"2021-06-22 09:44:11","post_date_gmt":"2021-06-22 09:44:11","post_content":"An artist in Oslo, Ina Bache-Wiig, was cancelled from a planned gallery exhibition presumably because of a \"like\" on a Facebook-post by her artist boyfriend. The post in questions presented a video installation challenging and satirizing over the pride-movement. There seems to be links to the woke-generation, that challenges the so called \"boomer-generation\" and \"boomer-humor.\" ","post_title":"Cancelled","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"cancelled","to_ping":"","pinged":"","post_modified":"2021-12-20 13:55:34","post_modified_gmt":"2021-12-20 13:55:34","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/cancelled\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":823,"post_author":"2","post_date":"2021-06-17 21:59:53","post_date_gmt":"2021-06-17 21:59:53","post_content":"Poet and leader Marc Bamuthi Joseph is a power house. He has brought social impact to the Kennedy Center with a force and depth that few institutions can match. They are here to build tangible systems going forward through different initiatives.\r\n\r\nEight Areas of Work\r\nLed by the Kennedy Center\u2019s Social Impact team, under the leadership of Vice President and Artistic Director of Social Impact Marc Bamuthi Joseph, the arts are leveraged for non-arts outcomes. We are building on work that has already begun at the Center and have devised a framework across eight channels that we will prioritize, pursue, and weave throughout the institution. These are not intended to be immediate solutions, but rather iterative strategies that will take three to five years to implement as the Center works, systemically, to foster anti-racism within the organization and across the performing arts.","post_title":"Social Impact at the Kennedy Center","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"social-impact-at-the-kennedy-center","to_ping":"","pinged":"","post_modified":"2021-12-20 13:55:35","post_modified_gmt":"2021-12-20 13:55:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/social-impact-at-the-kennedy-center\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":826,"post_author":"2","post_date":"2021-06-15 12:02:15","post_date_gmt":"2021-06-15 12:02:15","post_content":"Dance Cooperative is a new platform and dance studio for intersectional practices, work and performance organised by 16 professional artists in Copenhagen.\r\nEmploying the 'cooperative' as organisational form, they built on the communist idea of the workers owning the means of production and they point towards the (re)distribution of resources as the foundation of their art institution. \r\n\r\nThey rent themselves into a private building at Gr\u00f8nttorvet in Valby, an area of growing gentrification. They are 'great potential' and renewing the face of the area, however not sustainable as long term economy, since its members pay themselves a monthly membership fee of 1000kr - and for the young professionals, this is a burden. How could municipality come to support this kind of alternative cultural institutions (next to 'kultur huse' and 'egnsteatre')? How can funding bodies support these kinds of collectively driven spaces?\r\n\r\nImage source: Dance Cooperative\r\n\r\n","post_title":"Artist-run platform on own terms","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"artist-run-platform-on-own-terms","to_ping":"","pinged":"","post_modified":"2021-12-20 13:55:35","post_modified_gmt":"2021-12-20 13:55:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/artist-run-platform-on-own-terms\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":828,"post_author":"2","post_date":"2021-06-15 11:20:24","post_date_gmt":"2021-06-15 11:20:24","post_content":"The artists\u2019 organisation The Union (2019 -) is a monitor of the structural absence of BIPoCs in art institutions. It is a self-instituted \u201cCultural Workers Union for Black\/ People of Colour\u201d iterating the function of a union not as an expensive association with employed lawyers working on behalf of its members\u2019 rights in official negotiations, but as an action of joining forces in order to draw attention to structural racism in the cultural sector. \r\n\r\nThe Union was created in 2019 and has members across dance, choreography, fine arts, music, fashion design and performance art. The declared goal of The Union is to unite BIPoC cultural workers against precarious working conditions, institutional racism and discrimination in Denmark: \"The purpose of The Union is to create networks between racialized workers, to secure better working conditions, and to confront racism and the lack of representation of Black and People of Colour within the Danish culture industry.\" (from fb page)\r\n\r\nImage source: Unsplash","post_title":"Separatism as mode of attention","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"separatism-as-mode-of-attention","to_ping":"","pinged":"","post_modified":"2021-12-20 13:55:35","post_modified_gmt":"2021-12-20 13:55:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/separatism-as-mode-of-attention\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":838,"post_author":"2","post_date":"2021-06-02 16:39:10","post_date_gmt":"2021-06-02 16:39:10","post_content":"Fantastisk hybrideksistens som blander maritim f\u00e6llesskabstradition omkring foreningsskibe med kultur- og kunstinstitution med ambiti\u00f8st udstillingsprogram for ung dansk samtidskunst. Skibet ligger til daglig i fregathavnen i Ebeltoft. \r\n\r\nFoto: Rikke Ehlers Nilsson (Scott William Rabys projekt 'Proxy Harbor Environs')","post_title":"Svartl\u00f6ga\/OXER","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"svartloga-oxer","to_ping":"","pinged":"","post_modified":"2021-12-20 13:55:26","post_modified_gmt":"2021-12-20 13:55:26","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/svartloga-oxer\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"}]},"full_image":["https:\/\/livingcatalogue.anordic.org\/wp-content\/uploads\/2021\/12\/insight_communities.png",2560,1200,false],"thumb":["https:\/\/livingcatalogue.anordic.org\/wp-content\/uploads\/2021\/12\/insight_communities-300x141.png",300,141,true],"thumb_large":["https:\/\/livingcatalogue.anordic.org\/wp-content\/uploads\/2021\/12\/insight_communities-1024x480.png",640,300,true],"yoast_head":"\n