Nye deltagelsesbaserede metoder sammen med behovet for at indoptage administrative kompetencer i den professionelle kunstneriske praksis fordrer et nyt blik p\u00e5 kunstnerisk kvalitet.
\n<\/em><\/p>\n

Direkte og personlig inddragelse er n\u00f8glen til en mere ansvarlig fremtid, og det handler ikke kun om b\u00e6redygtighed, men ogs\u00e5 vores relationer til hinanden og samfundet omkring os. Det er essensen af en ny type platforme, bev\u00e6gelser og kollektiver, der l\u00e5ner fra aktivistiske og community-baserede f\u00e6llesskaber og udfordrer flertallets rationaler og livsstil. Ved at \u00e5bne op for tv\u00e6rfaglige og \u00e6stetiske oplevelser bruges kunsten i disse kontekster til at danne borgere til en mere ansvarlig fremtid. Her ses det kreative potentiale og skaberevnen som noget, der skal aktiveres i os alle for sammen for at indl\u00e6re nye m\u00e5der at v\u00e6re p\u00e5 og forst\u00e5 verden.<\/p>\n

Det ikke-kunstneriske kunstnerliv
\n<\/em>
\nKravet om at indoptage flere \u201dikke-kunstneriske\u201d kompetencer udfordrer forst\u00e5elsen af kunstnerisk kvalitet som en universel kategori. Parallelt med borger-inddragelsen giver signalerne nemlig ogs\u00e5 eksempler p\u00e5, hvordan ud\u00f8vende kunstnere i h\u00f8jere grad skal indoptage ikke-kunstneriske v\u00e6rkt\u00f8jer som projektstyring, ledelse og fondsans\u00f8gning som en uomg\u00e6ngelig del af deres hverdag og professionelle kunstneriske praksis.<\/p>\n

Evnen til at beherske balancen mellem kunstverdenen og kompetencerne fra verden udenfor er i stigende grad adgangsbillet til \u00f8konomisk st\u00f8tte og stiller sp\u00f8rgsm\u00e5let om hvori den reelle kvalitet i det kunstneriske arbejde best\u00e5r. P\u00e5 den ene side findes der alternative m\u00e5de at v\u00e6re kunstner p\u00e5, mens der p\u00e5 den anden side opst\u00e5r nye \u00f8konomiske gatekeepers og et behov for konstant udvikling udenfor den traditionelle kerne af kunstnerisk praksis.<\/p>","protected":false},"featured_media":903,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_themes":[124],"class_list":["post-901","insights","type-insights","status-publish","has-post-thumbnail","hentry","_themes-artistic-identity"],"acf":{"signals":[{"ID":875,"post_author":"2","post_date":"2021-10-07 09:09:01","post_date_gmt":"2021-10-07 09:09:01","post_content":"Nis Bysted has worked in music business since he was 14 years old. Over the years he has build a unique network, which he offers to new and upcoming artists. The artistic and experimental approach has been an ongoing practise. \"Everyone can be part of this. Denmark always looked outwards \u2013 never inwards. I believed that something must be strong here\". \r\n\r\nNis Bysted has never received support for this work, only the bands and publications of music. He believes that there is a cultural policy problem: \"Economy means too much. The musicians need a tariff. It results in a strange clash - where you have to be cynically realistic. People do not understand what it takes. People do not understand what they are paying for. In this system, people do not bother enough. (...) \"It would be cool, if there was a framework which is firm - and which everyone can go through.\"\r\n\r\nPhoto: Unsplash (Oscar Keys)","post_title":"Artistic entrepreneurship","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"artistic-entrepreneurship","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:32","post_modified_gmt":"2021-12-20 13:54:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/themes\/all\/artistic-entrepreneurship\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":881,"post_author":"2","post_date":"2021-09-12 20:29:07","post_date_gmt":"2021-09-12 20:29:07","post_content":"A theatre without a house, but with various \u2018rooms\u2019 full of participatory performing art in many forms.\r\nWe work between art and science, and create encounters across disciplines, work practices, national borders, and species.\r\nThe work is based in our values of co-creation, sustainability, care, and respect. Together we know more. Secret Hotel also exists in the relationships with our partners: The artists, researchers, guests, trees, microorganisms, food, and places \u2013 for example in our two performances on ants and bees. In this meeting sphere, Secret Hotel creates audience-based performing arts for body and senses, while stimulating mind and knowledge.\r\nWe instigate dialogues between places, seasons, living creatures and various practices as diverse as performing art, live art, anthropology, philosophy, biology, spirituality, permaculture and wood chopping. \r\nWe also create the international biannual symposium Earthbound.\r\n\r\nPhoto: Martin Dam Kristensen\/Secret Hotel","post_title":"Secret Hotel","post_excerpt":"","post_status":"publish","comment_status":"","ping_status":"closed","post_password":"","post_name":"secret-hotel","to_ping":"","pinged":"","post_modified":"2021-09-12 20:29:07","post_modified_gmt":"2021-09-12 20:29:07","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/themes\/all\/secret-hotel\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":883,"post_author":"2","post_date":"2021-08-21 17:12:39","post_date_gmt":"2021-08-21 17:12:39","post_content":"The Copenhagen-based performance-group and movement Sisters Hope is creating a new base in a former school building in Hedehusene with their project Sisters Hope HOME. \r\n\r\nThe project has been created in close dialogue with H\u00f8je-Taastrup Municipality, and Realdania has allocated 1 million for the physical transformation of the site. Sisters Hope Home will take the form of a 5-year durational performance, and a platform for performative manifestations and artistic research. The project can be seen as an attempt to fuse the institutional framework and artistic practice seamlessly together.\r\n\r\nSisters Hope operate at the intersection of performance art, research, activism and pedagogy. Their artistic practice is based on a vision of a future society, The Sensuous Society, where the sensuous and poetic form the basis of all action and interaction. The focus of the group is to open more sensuous and poetic modes of knowledge creation, teaching and learning to nurture a new mode of educational thinking and practice. They work by intervening into everyday life contexts using art to argue the need for the aesthetic dimension to be an integrated part of everyday life \u2013 Not as something exclusive and autonomous.\r\n\r\nPhoto: Sisters Hope","post_title":"Sisters Hope - Home","post_excerpt":"","post_status":"publish","comment_status":"","ping_status":"closed","post_password":"","post_name":"sisters-hope-home","to_ping":"","pinged":"","post_modified":"2021-08-21 17:12:39","post_modified_gmt":"2021-08-21 17:12:39","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/themes\/all\/sisters-hope-home\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":885,"post_author":"2","post_date":"2021-08-21 12:51:04","post_date_gmt":"2021-08-21 12:51:04","post_content":"\"We lack an administrative and practical definition of what an professional artist is\", says Nivi Christensen, director of Nuuk Art Museum.\r\n\"The only official criteria for awarding working grants for professional artists is that the applicant must live in Greenland.\"\r\n\r\nTraditionally it has not been possible to include artist fees in project funding applications which is why artists have had to apply for their own salaries from several funding sources or have full time jobs in other places in order to earn sufficient income. \r\n\"We have seen the tide changing just recently, and people are becoming better in saying that art is something you should have the right to earn money for.\"\r\n\r\n\"In the field of visual arts we are one of the only institutions that pay artists salaries for exhibitions or that applies funding for artist salaries.\" \r\n\r\nPhoto: Unsplash","post_title":"What is a professional artist?","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"what-is-a-professional-artist","to_ping":"","pinged":"","post_modified":"2021-12-20 18:16:43","post_modified_gmt":"2021-12-20 18:16:43","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/themes\/all\/what-is-a-professional-artist\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":678,"post_author":"2","post_date":"2021-08-04 15:26:42","post_date_gmt":"2021-08-04 15:26:42","post_content":"Visual Artist and Photographer Nayab Ikram working from Turku, but raised in \u00c5land and of Pakistani dispora works with the themes of being in between nationalities and cultures, often with her own experiences as object.\r\n\r\nImage source: Unsplash","post_title":"In between","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"in-between","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:41","post_modified_gmt":"2021-12-20 13:54:41","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/in-between\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":684,"post_author":"2","post_date":"2021-08-03 13:18:00","post_date_gmt":"2021-08-03 13:18:00","post_content":"Founders of the Center for Artistic Activism, sociologist Stephen Duncombe and artist Steve Lambert investigate art as activism and activism as art. In addition, they reflect on social change created by artists. In their recent keynote \u201cMaking Art Work\u201d delivered at the ESA-Arts\u00a02021 conference in Uniarts Helsinki, Duncombe and Lambert challenged the dichotomy between autonomy and instrumentalism in the arts as they claimed that all art is instrumental and that most successful activism is artistic. Duncombe and Lambert's examples of artistic activism include, for example, Alfredo Jarr\u2019s 24 Hour Museum in Skoghall, Sweden and a performative HIV Awareness act during Pride Week in Helsinki, Finland. Using these and other examples, they define artistic activism as the amalgamation of activism\u2019s outcome (effect) and the emotional (affective) quality of art that can facilitate change in society. With the term \u201c\u00e6ffect\u201d they refer to artistic activism entailing both affective effect and effective affect.","post_title":"All art is instrumental","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"all-art-is-instrumental","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:41","post_modified_gmt":"2021-12-20 13:54:41","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/all-art-is-instrumental\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":688,"post_author":"2","post_date":"2021-08-01 19:29:18","post_date_gmt":"2021-08-01 19:29:18","post_content":"A meeting- and production place, a nucleus for ongoing, site-specific performance production and the research of new approaches of dialogue between art and society. It is also meant to be a place for international exchange formats in collaboration with theatres and art spaces that care and work with the specific questions about art, politics, citizenship and new visions for art institutions. \r\nT\u00e5rnby Park Studio is this: An open platform, inviting artists for residencies, making proposals for public intervention, public dialogue, inviting citizens into co-creation. It uses tools and methods from performing art, site-specific practices, film, tv, participatory aspects, relational art, sharing of space and time, and - invites the neighbours for surprising encounters.\r\n\r\nImage Source: Unsplash\r\n","post_title":"T\u00e5rnby Park Studio","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"tarnby-park-studio","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:41","post_modified_gmt":"2021-12-20 13:54:41","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/tarnby-park-studio\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":696,"post_author":"2","post_date":"2021-07-27 14:04:58","post_date_gmt":"2021-07-27 14:04:58","post_content":"Launched in 2015, ArtsEqual Research Initiative is a six-year, multidisciplinary research project led by the University of the Arts Helsinki. It examines the arts as public service, with equality as the starting point, and explores how the arts can meet the social challenges of the 2020s. ArtsEqual has published 13 research-based policy briefs to inform decision-makers. The objective of these policy briefs is to dismantle mechanisms of inequality in the arts to make services in the arts and arts education more inclusive and accessible to everyone. One of these policy briefs focuses on the arts in hospitals. It encourages health service organizations to pay attention to the cultural contexts of health and integrate culture and art into their activities to promote health and wellbeing. It proposes several actions for organizations working in the health service sector in adopting a broad approach to improving people's health and wellbeing through culture and the arts. ","post_title":"Culture and the Arts in Hospitals","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"culture-and-the-arts-in-hospitals","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:41","post_modified_gmt":"2021-12-20 13:54:41","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/culture-and-the-arts-in-hospitals\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":700,"post_author":"2","post_date":"2021-07-26 12:40:03","post_date_gmt":"2021-07-26 12:40:03","post_content":"Expanding Professionalism in Music and Higher Music Education: A Changing Game is a book on the need to reconsider the idea of professionalism in music and how such reflections ought to inform professional music education. The book, edited by Heidi Westerlund and Helena Gaunt, identifies the need for professional higher education to nurture the full potential of professional musicians in response to a range of future societal needs. Examples of recent developments in professional practice in music presented in the book suggest that professionalism in music and the arts is becoming increasingly open-ended and unforeseeable. In addition, the new practices often call for collaboration and multidisciplinary. The book editors advocate the need to expand the understanding of professionalism in music that helps institutions of higher arts education grasp multiple rationalities that underpin present and future professional practices in music and in the arts more generally. ","post_title":"Expanding professionalism in music","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"expanding-professionalism-in-music","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:41","post_modified_gmt":"2021-12-20 13:54:41","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/expanding-professionalism-in-music\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":701,"post_author":"2","post_date":"2021-07-26 12:06:21","post_date_gmt":"2021-07-26 12:06:21","post_content":"In a recent interview, the Finnish filmmaker, former pop singer Anna Eriksson complained about the decline of high culture and the artists submitting to \"the system\" instead of producing art as a counterweight in society (YLE 2021). She has also barked at museum directors, art institutions, social media, and young people for technology-hard neo-fascism in society. Eriksson is particularly upset about the draining of the artist myth for which it is up to the artists to blame themselves, she claims. She highlights the unique talent and sensitivity of artists. For her, only exceptionally talented people are capable of creating exceptional art. Further, contrary to recent discussions on collaborative art-making, she also resigns from co-creation due to presumed compromises that suggest mediocrity. (Riikonen 2021). ","post_title":"Nostalgic yearning for the myth of the artist as genius","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nostalgic-yearning-for-the-myth-of-the-artist-as-genius","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:41","post_modified_gmt":"2021-12-20 13:54:41","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/nostalgic-yearning-for-the-myth-of-the-artist-as-genius\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":702,"post_author":"2","post_date":"2021-07-23 15:58:34","post_date_gmt":"2021-07-23 15:58:34","post_content":"Solo Show is an Instagram based interface connecting offsite exhibits, digital projects and other independent creative work. They curate themed exhibitions of new work from invited artists and develop archives of visual research around selected topics. Submissions are always open.\r\n\r\nImage Source: Unsplash","post_title":"soloshow.online","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"soloshow-online","to_ping":"","pinged":"","post_modified":"2021-12-20 18:15:07","post_modified_gmt":"2021-12-20 18:15:07","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/soloshow-online\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":887,"post_author":"2","post_date":"2021-07-08 15:45:32","post_date_gmt":"2021-07-08 15:45:32","post_content":"The occupation of Artist does not have a protected title. Therefore in theory anyone can claim to be an artist","post_title":"Artist - not a protected occupation","post_excerpt":"","post_status":"publish","comment_status":"","ping_status":"closed","post_password":"","post_name":"artist-not-a-protected-occupation","to_ping":"","pinged":"","post_modified":"2021-07-08 15:45:32","post_modified_gmt":"2021-07-08 15:45:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/themes\/all\/artist-not-a-protected-occupation\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":873,"post_author":"2","post_date":"2021-07-01 11:36:57","post_date_gmt":"2021-07-01 11:36:57","post_content":"From bandcamp site: \r\n\r\nGP&PLS is a refugee organization disguised as a tech rock band \r\nAnd we are also a hot and hardcore feminist movement. And we are also a pro monarchist polygamist extratone orchestra. And we make anti-authoritarian communist tunes for you and your family. \r\n\r\nGP&PLS is supporting people on the move who are trying to enter Europe, but because of violent borders and euro racism have a hard time moving around and making livable lives. \r\n\r\nGP&PLS believe that if you have a powerful passport it is your duty to help and involve with the people who don\u2019t. If you have a powerful position in society, such as friends, education and money, it\u2019s your duty to share it. \r\n\r\nPhoto: Unsplash (Caleb George)","post_title":"GP&PLS","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"gppls","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:49","post_modified_gmt":"2021-12-20 13:54:49","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/themes\/all\/gppls\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":724,"post_author":"2","post_date":"2021-06-29 11:36:45","post_date_gmt":"2021-06-29 11:36:45","post_content":"A new paradigm is emerging when it comes to artistic educational systems in Scandinavia. The ideology emphasizes openness, interdisciplinarity, flexibility and cooperation associated with the \"sharing economy\". \r\n\r\nAlthough it promotes the entrepreneurial artist through multifunctional hub spaces, the poor student studios testify little emphasis on individual careers. The ideal figure of the new art school is not the biennial or gallery artist with high-profile projects worldwide. Rather, this is a propaganda scenography for new managerialism with a focus on public funding. It is created for the project manager or a team leader for a research network. This ideal person does not need a personal workspace but can sit in open office landscapes and formulate project descriptions in collaboration with research clusters throughout the European Union. They are at the forefront of specialised technology and very open to working across disciplines, perhaps not in practice, but at least in theory.\r\n\r\nImage source: Photo by Michael Burrows from Pexels","post_title":"A new artistic role: The Project Manager","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"a-new-artistic-role-the-project-manager","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:50","post_modified_gmt":"2021-12-20 13:54:50","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/a-new-artistic-role-the-project-manager\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":756,"post_author":"2","post_date":"2021-06-25 16:40:41","post_date_gmt":"2021-06-25 16:40:41","post_content":"Bioteket consists of a variety of nature-geeks, green-thumbed activists, tech-enthusiast, and plant lovers. \r\n\r\nThe hub was built in the spring of 2016 as a collaboration between the voluntary organisation Bioteket and Copenhagen's Culture and Leisure Administration with funds from the Ministry of the Environment's Pool for Green Firefighters. The house is a permanent container building, with workshops and a kitchen on the ground floor and a large greenhouse on the first floor, which serves as a growth space for plants, fish, insects, and various green communities and associations.\r\n\r\nImage Source: Unsplash","post_title":"An eco-design and culture hub","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"an-eco-design-and-culture-hub","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:58","post_modified_gmt":"2021-12-20 13:54:58","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/an-eco-design-and-culture-hub\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":779,"post_author":"2","post_date":"2021-06-25 16:36:16","post_date_gmt":"2021-06-25 16:36:16","post_content":"Laboratory for Aesthetics and Ecology facilitates various multidisciplinary events, exhibitions, workshops, and symposia across landscapes, disciplines, contexts, and histories spanning from rural spaces, festival sites, ocean shores, boats, academic- and exhibition spaces, and more. Their methods are performative, experimental, and flow through and across genres. They also run a small press that publishes and translates work that shares, extends, supports, and forms thinking. Their publications explore intersections and crossings between the poetic and the academic, the affective and the scientific, the personal and the political.\r\n\r\nImage by Iva Rajovic for Unsplash","post_title":"Alternative learning and living community","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"alternative-learning-and-living-community","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:59","post_modified_gmt":"2021-12-20 13:54:59","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/alternative-learning-and-living-community\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":780,"post_author":"2","post_date":"2021-06-25 16:35:53","post_date_gmt":"2021-06-25 16:35:53","post_content":"The boarding school is part of Sisters Hope, an art-based research project (KU, Bikubenfondens Visionspris) exploring the term \u2018Sensuous learning\u2019. Sisters Academy is not based on economic principles like efficiency, duty, and discipline but on aesthetic principles like fantasy and desire - an education for the future, as they frame it. The school attempts to represent an alternative paradigm distinct from the economic rationality that shapes our society today. Participants can enrol in the school to strip off their normal social markers (name, sex, gender, occupation). They give birth to their poetic self through rituals, performances, and interactions, a new sensuous experience. Other than the Academy, they do The Takeover, where they take over the leadership of a series of actual upper secondary schools. They transform the school completely (light-, sound- and set design.) and The Sister staff move in.\r\n\r\nPHOTO CREDITS:\r\nSisters Academy - The Boarding School by Sisters Hope\r\nphoto: I diana lindhardt","post_title":"An artistic education for the future","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"an-artistic-education-for-the-future","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:59","post_modified_gmt":"2021-12-20 13:54:59","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/an-artistic-education-for-the-future\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":786,"post_author":"2","post_date":"2021-06-25 16:31:40","post_date_gmt":"2021-06-25 16:31:40","post_content":"Central to many of Line Anda Dalmar works is an artistic collaboration and creative partnership across media. Two of Line Anda Dalmar's projects, Ukjent Prosedyre (2016) and Andre Premisser (2018), exemplify this practice. They are joint projects where different artists meet to explore different ways of collaborating. Thus, part of the artwork focuses on the creative process and not only the creative outcome. \r\n\r\nIn Ukjent Prosedyre (2016), the process involved each artist sending and receiving their packages with materials from the other artists' studios. This included work begun, for example, in the form of sketches and photographs. With the non-self-chosen content as a starting point, the artists each produced new works. Then the artists met for the exhibition assembly, and all the works were further developed and installed together. Thus, the \"unknown procedure\" consisted of a process that included material and conceptual parts from all the participating artists. \r\n\r\nImage Source: Photo by Matteo Vistocco on Unsplash\r\n\r\n","post_title":"Collaboration as artistic method","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"collaboration-as-artistic-method","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:59","post_modified_gmt":"2021-12-20 13:54:59","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/collaboration-as-artistic-method\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":785,"post_author":"2","post_date":"2021-06-25 16:31:13","post_date_gmt":"2021-06-25 16:31:13","post_content":"Joar Nango\u2019s identity as S\u00e1mi is central to his practice. Nango is interested in concepts like temporality and nomadic culture, and his art is centred around the relationship between material culture, immaterial culture and identity. Yet, in terms of discipline or medium, he actively defies categorisation, choosing instead to mobilise the space in-between and across worlds.\r\n\r\nNango constructs spaces where marginalised human and non-human actors and Indigenous and contemporary architecture are made visible in his practice. Nango is motivated by a language that is unable to understand colonialism. The results have a way of escaping the present; instead, they create a feedback loop between past and future architectural narratives. \r\n\r\nNango often collaborates with people who are specialised in S\u00e1mi culture, but not exclusively, as he attempts to avoid to determine or isolate cultures. Rather, his practice is an attempt to open up and expand concepts, language and symbolic interpretations.\r\n\r\nImage Source: Photo by Steve Johnson from Pexels","post_title":"The artist as curator between cultures, objects & meanings","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"the-artist-as-curator-between-cultures-objects-meanings","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:59","post_modified_gmt":"2021-12-20 13:54:59","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/the-artist-as-curator-between-cultures-objects-meanings\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":814,"post_author":"2","post_date":"2021-06-25 16:16:38","post_date_gmt":"2021-06-25 16:16:38","post_content":"Jonas Eika received the 2019 Nordic Council Literature Prize for \u00bbEfter Solen\u00ab and 350.000 DKK which he donated to asylum center Sj\u00e6lsmark. \r\n\r\nEika's writing imagines alternative forms of living and organising. \r\nNext to his writing activity, Eika is engaged in self-organised activist work which attempts to bring migrants out of the Danish asylum centres. \r\n\r\nImage source: Photo by Luis Vasconcelos on Unsplash\r\n\r\n","post_title":"From fiction to activism","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"from-fiction-to-activism","to_ping":"","pinged":"","post_modified":"2021-12-20 13:55:34","post_modified_gmt":"2021-12-20 13:55:34","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/from-fiction-to-activism\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":816,"post_author":"2","post_date":"2021-06-25 16:15:45","post_date_gmt":"2021-06-25 16:15:45","post_content":"Born in Norway with Nigerian heritage, Orupabo is a self-made artist who addresses race, gender, colonialism and identity by retrieving black-and-white images in cut-up collages that form fragmented bodies. Orupabo was discovered by American creative Arthur Jafa, who had found her work on Instagram. Jafa encouraged her to display her Instagram feed in his solo exhibition at London\u2019s Serpentine Galleries by printing out her Instagram feed and create large-scale works from her social media archive. \r\n\r\nImage Source: Photo by Mika Baumeister on Unsplash","post_title":"Instagram paves the way for artists to get discovered across nations","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"instagram-paves-the-way-for-artists-to-get-discovered-across-nations","to_ping":"","pinged":"","post_modified":"2021-12-20 18:16:09","post_modified_gmt":"2021-12-20 18:16:09","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/instagram-paves-the-way-for-artists-to-get-discovered-across-nations\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"}]},"full_image":["https:\/\/livingcatalogue.anordic.org\/wp-content\/uploads\/2021\/12\/insight_quality_new_demands.png",2560,1200,false],"thumb":["https:\/\/livingcatalogue.anordic.org\/wp-content\/uploads\/2021\/12\/insight_quality_new_demands-300x141.png",300,141,true],"thumb_large":["https:\/\/livingcatalogue.anordic.org\/wp-content\/uploads\/2021\/12\/insight_quality_new_demands-1024x480.png",640,300,true],"yoast_head":"\n