Nye transaktionsplatforme i kunsten tilbyder alternative m\u00e5der at \u00f8konomisere v\u00e6rker og kan give adgang for de ellers geografisk og institutionelt afsk\u00e5rne ud\u00f8vere. Ikke alle signaler springer ud fra kunstens kerne, men billedet er mangfoldigt og flere eksempler peger p\u00e5 kunstnere, der er mindre bange for markedet end tidligere generationer.
\n<\/em>
\nDet samfundsm\u00e6ssige apparat og forandringer p\u00e5virker den kunstneriske praksis, og der skal nye m\u00e5der til at finansiere sin kunstnerpraksis. Hvor nogle laver et projekt ud af n\u00f8dvendigheden af at s\u00e6lge sin guitar for at overleve eller flytter fra byens dyre huslejer, bliver andre selv bliver brands eller hopper med p\u00e5 NFT og kryptovaluta b\u00f8lgen. Tegn p\u00e5 nye finansieringskilder, der bev\u00e6ger sig v\u00e6k fra kunstens kerne, er mange og mangfoldige.<\/p>\n

Destabilisering eller midlertidig forskydning?<\/em><\/p>\n

Kryptovaluta og blockchain-baserede platforme skaber muligheder, men ogs\u00e5 skyggesider for kunstnere, der udforsker alternative m\u00e5der at \u00f8konomisere deres v\u00e6rker. Det er b\u00e5de tale om overlevelsesstrategi og ny adgang for kunstnere, der ellers kan v\u00e6re geografisk eller institutionelt afsk\u00e5ret fra markedet, og kalkuleret entrepren\u00f8rskab for dem omfavner markedet som selvst\u00e6ndige \u00f8konomiske akt\u00f8rer.<\/p>\n

Er kryptovalutaens og NFT\u2019ers indtog i kunsten en revolution eller blot en lille forskydning? Normalisering og indslusning i konventionelle infrastrukturer m\u00e5 forventes, n\u00e5r den f\u00f8rste hype klinger af, men signalerne om kunstnere, der er mindre bange for markedet og i nogle tilf\u00e6lde selv bliver til varen peger i retning af en ny \u00f8konomisk virkelighed for kunstnerisk praksis.<\/p>","protected":false},"featured_media":905,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_themes":[124],"class_list":["post-902","insights","type-insights","status-publish","has-post-thumbnail","hentry","_themes-artistic-identity"],"acf":{"signals":[{"ID":865,"post_author":"5","post_date":"2021-09-17 16:25:36","post_date_gmt":"2021-09-17 16:25:36","post_content":"\u201dHuge streaming-platforms like Spotify and Youtube earn tremendous amounts of money, but leaves the artists bleeding. Also, with streaming platforms there is no longer an expectation, to you as a consumer, that you would pay for content. It really depends on what attitude you accustom consumers to. And even though there are initiatives in the European-parliament that tries to stipulate the tech-giants to pay compensations to the artists, there is still a long way to go.\u201d\n\n\u201cThere are examples of artists who use crowdfunding to release their music, but it mostly happens in other countries like the US, where there are no systems of subsidies.\"\n\nImage by Edwin Andrade for Unsplash","post_title":"Malika Makouf Rasmussen: Does crowdfunding fit in the North?","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"malika-makouf-rasmussen-does-crowdfunding-fit-in-the-north","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:33","post_modified_gmt":"2021-12-20 13:54:33","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/malika-makouf-rasmussen-does-crowdfunding-fit-in-the-north\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":686,"post_author":"2","post_date":"2021-08-02 14:43:55","post_date_gmt":"2021-08-02 14:43:55","post_content":"In spring 2021 it was evident that the pandemic hit the artistic field hard. And that the financial relief for musicians and artists has not been sufficient in Norway. There has been several stories about musicians selling off instruments to survive.","post_title":"One guitar less","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"one-guitar-less","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:41","post_modified_gmt":"2021-12-20 13:54:41","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/one-guitar-less\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":702,"post_author":"2","post_date":"2021-07-23 15:58:34","post_date_gmt":"2021-07-23 15:58:34","post_content":"Solo Show is an Instagram based interface connecting offsite exhibits, digital projects and other independent creative work. They curate themed exhibitions of new work from invited artists and develop archives of visual research around selected topics. Submissions are always open.\r\n\r\nImage Source: Unsplash","post_title":"soloshow.online","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"soloshow-online","to_ping":"","pinged":"","post_modified":"2021-12-20 18:15:07","post_modified_gmt":"2021-12-20 18:15:07","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/soloshow-online\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":713,"post_author":"2","post_date":"2021-07-13 21:24:55","post_date_gmt":"2021-07-13 21:24:55","post_content":"In 2017 the artist duo Goldin + Senneby won the competition of 'decoration' for the new Korsw\u00e4gen Station in G\u00f6teborg: In accordance with the concept of \"Eternal Employment\", a person is employed at Korsv\u00e4gen station. Whatever the employee chooses to do constitutes the work. The only thing required is to check in and out of the station with a ticket every day. The employment contract is full time and of indefinite duration; The work is to be realized in 2026 when the new station opens.\r\n\r\nThe work questions the value of lived life in art. Can one be payed for the very activity of checking in and out of life 8 hours a day? \r\nOn the same time, \"Eternal Employment\" asks a fundamental question to public funding in the arts:should it be basic income with full trust in the artists, or should public art funding be dosed and commissioned with specific goals and ideas about what is 'good' for the public?\r\n\r\nImage source: Unsplash","post_title":"Eternal Employment","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"eternal-employment","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:49","post_modified_gmt":"2021-12-20 13:54:49","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/eternal-employment\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":747,"post_author":"2","post_date":"2021-06-28 14:02:42","post_date_gmt":"2021-06-28 14:02:42","post_content":"For many smaller single-venue galleries, the art system is no longer working. Midsize galleries, amid a spate of closings, cite rising rents and declining foot traffic, and many complain of a general feeling of instability and pressure to participate in more fairs. In a New York Times op-ed earlier this year, the sociologist Olav Velthuis wrote, \u201cBecause of the recent changes in how art is viewed and bought, smaller and midsize galleries are in a vicious bind: How can they possibly participate in the fairs? At the same time, how can they not?\u201d\r\n\r\nTypically, when this many galleries exhibit in one city, they do so in booths at an art fair. But recently in NYC galleries were seen selling their wares in the spaces of 21 of their New York-based colleagues, as part of the second edition of an annual four-week program called Condo New York.\r\n\r\nCondo proposes a unified model for collaboration and generosity between young commercial galleries, with visiting international galleries contributing the minimum sums just to cover basic costs (such as website and technicians), and host galleries giving in kind (by sharing their spaces and giving the visiting galleries a free space for a month)\r\n\r\nImage by Antenna for Unsplash","post_title":"Gallery Sharing Programs","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"gallery-sharing-programs","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:58","post_modified_gmt":"2021-12-20 13:54:58","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/gallery-sharing-programs\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":773,"post_author":"2","post_date":"2021-06-25 16:37:14","post_date_gmt":"2021-06-25 16:37:14","post_content":"In a sign of increasing demand for transparency at art institutions across the world, museum workers have made their salary rates public via a Google Spreadsheet document. Titled \u201cArt\/Museum Salary Transparency 2019,\u201d the document allows users to add information about the terms of their employment and their rates of pay at some of the biggest museums in the world.\r\n\r\nMichelle Millar Fisher, an assistant curator of European decorative arts and design at PMA and previously a staffer at MoMA, the Met, and the Guggenheim, created the document and posted it to her Instagram page, where she wrote: \"A few years ago, thinking about transparency and the multi-vectored gaps in pay, I started sharing my salaries for each job I\u2019ve had, from nannying to curating, every time I give a career talk. . . . Please contribute if you can.\"\r\n\r\nImage by James Haworth for Unsplash","post_title":"Bottom-up transparency revolution in the museum world","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"bottom-up-transparency-revolution-in-the-museum-world","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:58","post_modified_gmt":"2021-12-20 13:54:58","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/bottom-up-transparency-revolution-in-the-museum-world\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":790,"post_author":"2","post_date":"2021-06-25 16:29:07","post_date_gmt":"2021-06-25 16:29:07","post_content":"Nominated as \"artist of the year\", Maria Pasenau has established herself as a recognised artist. Pasenau explores her practice within photography. Central to her photo-praxis is the \"selfie\" and her Instagram page, where she invites the audience into her everyday life filled with anxiety, insecurity & anger.\r\n\r\nFollowing the media theorist Nishant Shah, a selfie is more than just a picture. The selfie is an exemplar of the digital turn as it's performative, it constructs identity; secondly, it's an object that connects the performative inner-life of the subject while simultaneously acts as a technological apparatus that invades the self through data structures that spread & co-create this self. Thirdly, it's a digital object, unlike photography, which circulates on digital infrastructures (Shah, 2018). \r\n\r\nAs such, Maria Pasenau selfie-art must necessarily be understood as a co-creation between herself, the platform it's based on, and the social network that intermediate with the selfies. \r\n\r\nImage source: Photo by Omar Flores on Unsplash\r\n\r\n","post_title":"Expanding networks","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"expanding-networks","to_ping":"","pinged":"","post_modified":"2021-12-20 18:15:25","post_modified_gmt":"2021-12-20 18:15:25","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/expanding-networks\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":794,"post_author":"2","post_date":"2021-06-25 16:26:51","post_date_gmt":"2021-06-25 16:26:51","post_content":"The recent rise in \u201cdynamic NFTs\u201d and \u201cprogrammable media,\u201d where tokens evolve in real-time in reaction to external events or data.\r\n\r\nByteBeats are miniature functions that synthesize audio (and video) via bitwise operations. Because bits form groups in powers of 2, 4\/4 beat-driven music emergently self-organises: Each function in this drop is itself randomly generated, grouped into six families of composition and four families of visualizers. Through dynamic NFTs, the music becomes generative and self-develops.\r\n\r\nAnother example is Glam rock group HMLTD partnering with Async.art to auction off different stems of their song \u201cLeaving\u201d as NFTs, which will let token owners control the instrumentation of the final master recording in real-time. Fans will be able to create 6400 different versions of the song. The band will be selling off the layers of vocals, guitar, chords, bass, drums and FX. Then, it will be up to the new owners to make the song whatever they want it to be.\r\n\r\nImage Source: Foto by Fakurian Design on Unsplash","post_title":"Generative art through dynamic NFTs","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"generative-art-through-dynamic-nfts","to_ping":"","pinged":"","post_modified":"2021-12-20 13:54:59","post_modified_gmt":"2021-12-20 13:54:59","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/generative-art-through-dynamic-nfts\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":798,"post_author":"2","post_date":"2021-06-25 16:26:07","post_date_gmt":"2021-06-25 16:26:07","post_content":"V\u00e9rit\u00e9 is using NFTs to facilitate revenue-share deals with fans and investors. The share can be purchased on the decentralized Auction House Zora under the description: \"you are bidding on an exclusive 1\/1 NFT of my new single, BY NOW, AND an option to redeem a % of master recording ownership [...] community ownership is the future\"\r\n\r\nAnother notable example is Trevor McFedries who is buying out the publishing rights to Jacques Greene\u2019s song \u201cPromise\u201d in the form of a ~$29,000 NFT on Foundation. Trevor McFedries write: \"As we explore the possibilities of art on the chain and the promise of web3, we can maybe begin to let go of old systems. This platform is a promise. You can buy the copyright here. In purchase, you will own the publishing to the song, but I reserve the right to approval. That\u2019s the promise.\"\r\n\r\n\r\nImage Source: Foto by Miggy Rivera on Pexels","post_title":"NFTs: Fractional IP ownership & investment","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nfts-fractional-ip-ownership-investment","to_ping":"","pinged":"","post_modified":"2021-12-20 18:15:44","post_modified_gmt":"2021-12-20 18:15:44","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/nfts-fractional-ip-ownership-investment\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":800,"post_author":"2","post_date":"2021-06-25 16:25:32","post_date_gmt":"2021-06-25 16:25:32","post_content":"V-Art is one among several digital art marketplaces that have emerged during the lockdown. V-Art does art shows and events in virtual gallery spaces for visitors from anywhere in the world. They have designed a conceptual \"space art center\" where they host an international exhibition to bring art to the new horizons. Moreover, they have developed a \"DARTSTUDIO\" which combine digital art with classical music to create a new dimension for art therapy.\r\n\r\nImage by for Unsplash","post_title":"The rise of digital Art Marketplaces","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"the-rise-of-digital-art-marketplaces","to_ping":"","pinged":"","post_modified":"2021-12-20 13:55:34","post_modified_gmt":"2021-12-20 13:55:34","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/the-rise-of-digital-art-marketplaces\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":801,"post_author":"2","post_date":"2021-06-25 16:25:06","post_date_gmt":"2021-06-25 16:25:06","post_content":"SuperRare is a platform to exhibit, sell and collect digital art. Like other emerging blockchain-based platforms, SuperRare has laid out a blueprint on how digital works \u2014 whether video, illustration, text-graphic \u2014 can be monetised. First, artists upload their content. Then curators can pay for that content, with the artists receiving a commission in digital currency. Finally, creators can use the currency they receive how they please, including \u201cbuying\u201d preferential space in the marketplace to increase the number of eyeballs directed to their works. \r\n\r\nJohn Zettler, CEO of SuperRare, explains blockchain-led currency like NFTs allows independent artists that do not have huge support from a gallery to expand or launch their art careers: \u201cOur attitude is to find channels to serve these artists while using Blockchain to give them a new mechanism and market to sell their art.\u201d\r\n\r\nImage source: Foto by Shane Rounce on Unsplash ","post_title":"Blockchain holds the potential to boost independent artists promotion","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"blockchain-holds-the-potential-to-boost-independent-artists-promotion","to_ping":"","pinged":"","post_modified":"2021-12-20 18:15:55","post_modified_gmt":"2021-12-20 18:15:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/blockchain-holds-the-potential-to-boost-independent-artists-promotion\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":877,"post_author":"4","post_date":"2021-06-25 16:20:39","post_date_gmt":"2021-06-25 16:20:39","post_content":"The nude image of Tobias Rahim is currently on sale as crypto art - a digital art form that does not exist in physical form on paper or canvas but instead exists as digital files on the phone, computer or internet: \"I think something was exciting in exploring the crypto-art world, which is really something that has grown big lately - and then even doing it with a nude picture, something that is in a way a bit \"dangerous\", and which you otherwise do not have the opportunity to share with the outside world through social media because it goes against the guidelines, Tobias Rahim explains.\n\nHoping to sell for 100,000 DKK. The auction of the nude photo, entitled 'The Neo Scandinavian Man', takes place at the platform OpenSea, which specializes in selling crypto art. The sale also takes place in cryptocurrency, and at the time of writing, the highest bid in the picture is 0.1587 of the cryptocurrency Weth, corresponding to approximately 2,750 DKK.\n\nUpdate 18 January 2022: The NFT was sold for 2,9 ETH and is not for sale at the moment.\n\nPhoto: Petra Kleis & Tobias Rahim","post_title":"Hype or Ripe?","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"hype-or-ripe","to_ping":"","pinged":"","post_modified":"2022-01-18 12:07:07","post_modified_gmt":"2022-01-18 12:07:07","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/themes\/all\/hype-or-ripe\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":816,"post_author":"2","post_date":"2021-06-25 16:15:45","post_date_gmt":"2021-06-25 16:15:45","post_content":"Born in Norway with Nigerian heritage, Orupabo is a self-made artist who addresses race, gender, colonialism and identity by retrieving black-and-white images in cut-up collages that form fragmented bodies. Orupabo was discovered by American creative Arthur Jafa, who had found her work on Instagram. Jafa encouraged her to display her Instagram feed in his solo exhibition at London\u2019s Serpentine Galleries by printing out her Instagram feed and create large-scale works from her social media archive. \r\n\r\nImage Source: Photo by Mika Baumeister on Unsplash","post_title":"Instagram paves the way for artists to get discovered across nations","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"instagram-paves-the-way-for-artists-to-get-discovered-across-nations","to_ping":"","pinged":"","post_modified":"2021-12-20 18:16:09","post_modified_gmt":"2021-12-20 18:16:09","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/signals\/instagram-paves-the-way-for-artists-to-get-discovered-across-nations\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":879,"post_author":"2","post_date":"2021-06-23 10:19:32","post_date_gmt":"2021-06-23 10:19:32","post_content":"Weird Economies (WE), is an online art platform that traces economic imaginaries extraordinary to financial arrangements of our time. WE takes on an expanded chrono-political strategy, wherein past (vindication), present (location), and future (fabrication) are commensurable grounds for the extrapolation of weird\u2014and weirder\u2014economies.\r\n\r\nPhoto: Unsplash (Boris Bobrov)","post_title":"WEIRD ECONOMIES","post_excerpt":"","post_status":"publish","comment_status":"","ping_status":"closed","post_password":"","post_name":"weird-economies","to_ping":"","pinged":"","post_modified":"2021-06-23 10:19:32","post_modified_gmt":"2021-06-23 10:19:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/anordic.org\/livingcatalogue\/themes\/all\/weird-economies\/","menu_order":0,"post_type":"signals","post_mime_type":"","comment_count":"0","filter":"raw"}]},"full_image":["https:\/\/livingcatalogue.anordic.org\/wp-content\/uploads\/2021\/12\/insight_financial_structures.png",2560,1200,false],"thumb":["https:\/\/livingcatalogue.anordic.org\/wp-content\/uploads\/2021\/12\/insight_financial_structures-300x141.png",300,141,true],"thumb_large":["https:\/\/livingcatalogue.anordic.org\/wp-content\/uploads\/2021\/12\/insight_financial_structures-1024x480.png",640,300,true],"yoast_head":"\n